I reviewed Black Swan State Theatre Company’s production of Coma Land for Perth Walkabout:
In the space between life and death lies Coma Land, a snowy purgatory that lonely child genius Boon wakes up in at the beginning of the play.
I reviewed 10,000 — presented by by the Perth Theatre Trust and Umbrella Works Inc. as part of the Subiaco Theatre Festival — for Perth Walkabout:
In 10,000, we are introduced to Edie and AJ through the characters they are playing in a video game. The game, which AJ bought when he and Edie first got together, acts as a metaphor for their troubled relationship. 10 years on, they are married with a three-year-old daughter, but Edie has recently moved out. A keen gamer, AJ hopes to repair their marriage by sharing one of his passions with his sceptical wife. But before long, the lines between reality and the game’s science fiction adventure world become blurred, and Edie and AJ find themselves fighting for their very survival.
I reviewed Enoch Arden, performed by John Bell and Simon Tedeschi, for Perth Walkabout:
I wasn’t sure what to expect when I headed into His Majesty’s Theatre on June 14 for Perth Theatre Trust’s one-night-only presentation of Enoch Arden. The night began with acclaimed classical pianist Simon Tedeschi introducing the show, setting the mood by performing two pieces by Schubert and Brahms, before award-winning actor and Bell Shakespeare founder John Bell entered the stage.
I reviewed Black Swan State Theatre Company’s production of The Lighthouse Girl for Perth Walkabout:
As I waited for the Perth premiere of The Lighthouse Girl to begin, I felt like I was on a boat drifting towards an island, with the sound of waves crashing around the intimate theatre, the rocky landscape on the stage in front of me, and even the way my chair shook as the audience walked down the steps to find their seats.
Adapted by Hellie Turner from Dianne Wolfer’s award-winning books, The Lighthouse Girl and The Light Horse Boy, the play is set during the outbreak of World War I. Fay lives an isolated existence on Breaksea Island, south-east of Albany, with her father and old Joe. Fay’s father is Breaksea’s lighthouse keeper; her mother died several months earlier, and her only other companions are her donkey and her diary. Meanwhile, in country Victoria, best friends Charlie and Jim lie about their age to enlist as soldiers, anticipating a great overseas adventure together.
I have news! My story “Aiden’s Flowers” appears in issue 1 of Flash Fiction Magazine, which is out now. It features 50 bite-sized stories from 50 authors around the world, and you can get it from Amazon.
This what you can expect (from the product description):
Stories that won’t waste your time.
This enthralling anthology of flash fiction features very short stories ranging from a paragraph to one or two pages. Flash Fiction Magazine has compiled a sterling collection of exceptional contemporary examples of this unique fictional form covering a wide range of ideas and genres, from literary to romantic to humorous to horrifying.
Exploring the last moments before a death, the heartache of unrequited love, the sweet high of revenge, or the sad truth about human obsolescence, these brief tales touch briefly but profoundly on who we are, the ways we commit, the ways we move on, the ways we get by—sometimes shocking, sometimes funny, sometimes deeply emotional, and always remarkable.
“Aiden’s Flowers” is told from the point of view of a mother who’s lost her partner in tragic circumstances. Although I’ve never been a parent, I tried to imagine what it would be like in this situation.
Flash Fiction Magazine is available from Amazon, iBooks, and other e-retailers. Click here to get issue 1 of Flash Fiction Magazine from Amazon.
Feel free to give me feedback (on my story and the issue as a whole) and/or leave an honest customer review at the point of purchase. I’m sure it would mean a lot, not only to me, but to the other authors whose work appears in the magazine. 🙂
I reviewed the Jasper Jones movie for Perth Walkabout:
The film adaptation of Jasper Jones had a lot to live up to. Craig Silvey’s award-winning novel is a much-loved modern classic that has been described as “an Australian To Kill a Mockingbird”. I went into the preview screening of the film with some apprehension about how it would stack up against the book, but in the end, I needn’t have worried.
I finished the first draft of my first novel more than a year ago, and have since redrafted it more times than I care to count. I have days where I wonder if it’s any good, but for the most part, I’m proud of it. And I hope you’ll get to read it someday.
But there’s a part of me that’s been wondering if it was all a fluke. I’ve had a couple of false starts attempting to write my second novel, starting new ideas before realising they just weren’t working, or that they were short stories rather than novels. Even though two of my all-time favourite books were written by authors who only wrote one novel, I intend to be more prolific than that.
(In case you’re wondering, the two books I refer to are The Perks of Being a Wallflower by Stephen Chbosky and To Kill a Mockingbird by Harper Lee. I don’t count Go Set a Watchman because it’s a draft of Mockingbird. And Chbosky is still alive, so he may well write another novel.)
Anyway, November means NaNoWriMo (National Novel Writing Month) so I thought it was as good a time as any to try to write my second novel again. My final assessments were all due in November (including one week where I had six different things to complete) so I knew I probably wouldn’t get anywhere near the official goal of 50,000 words. And… I was right. I’ve actually only written about 7000 words.
A few years ago, I would’ve considered this an abject failure, particularly as I saw other writers soaring past me. But this year, I feel like I’m on the right track, even though I’ve been moving slowly so far. The novel I started on November 1 drifted in a completely different direction to what I’d planned, until it wasn’t even about the characters I’d started with. However, the new story feels more exciting to write. And I wouldn’t have discovered it if I hadn’t attempted NaNo with my original story.
I do wish I was a faster writer but as always, I am a work in progress. 😉
Did you participate in NaNoWriMo this year?
I reviewed The Blue Room Theatre’s production of [PORTO] for Perth Walkabout:
Entering the theatre for The Blue Room’s production of [PORTO] felt more like walking into a cosy laneway bar than a play. I was immediately drawn in by the set – the unassuming bar counter next to a stage with a microphone, and the funky little couch in the corner. When , the omniscient, fourth wall-breaking narrator stepped up to the mic in his ostentatious red outfit, I knew this was going to be an intriguing show.
Earlier this month, Sydney-based professional dancer and YouTuber Damian Parker, aka HeyoDamo, posted a vlog he describes as “a mildly light hearted look at a very serious issue”. It’s basically a visual representation of his personal experience with depression and you can watch it below. (Damo is quite fond of profanities though, so don’t watch it if that’s likely to upset you, and consider using headphones if there are young kids around.)
The video depicts a kind of war with your mind, which tends to be what happens to me when I’m spiralling into a bad place, though different people experience depression differently. I was diagnosed with depression in 2014, but in retrospect it had first hit me back in high school, about 10 years earlier.
Someone emailed me an article the other day called Why Writers Are Prone to Depression. I dare say it’s one of many, many online articles on the topic of depression in writers or artists, but here are the reasons this particular article outlined:
I’ve always been a bit of a loner and night owl, so I guess that fits the profile… But I’m an introvert with social anxiety and many writers are not.
I was writing long before I ever felt depressed, but I do think my best work has been when I’ve been able to tap into those dark thoughts and feelings and transform them into a new story. But it’s hard to be creative when you’re in a depressed state. I’m at my most productive when my head is above water.
These days, I’m doing okay. I use a combination of prescribed medication and self-care activities like keeping a daily journal. I was also in therapy for a while. I have good and bad days, but I’m getting through them.
If you’re reading this blog post and you’re struggling, I won’t patronise you by saying everything will be fine. But it can get better. If you find something that works for you (which may or may not be what works for someone else), then bit by bit, life gets a little more livable.
John Green recently posted a video on the Vlogbrothers YouTube channel he shares with his brother Hank.
In it he talks candidly about the pressure of trying to write a novel after the runaway success of The Fault In Our Stars. He mentions the novels he’s started and given up on since then, and admits he may never publish another book.
Watch John’s vlog here:
It got me thinking about things that, truth be told, are never far from my mind. I’ve written one complete novel to date. I want to get it published, but what if it never happens? I tell myself it doesn’t matter; that I can just write another manuscript, and another, and as long as I persevere, one will eventually stick. But what if the first manuscript was a fluke? What if I never actually finish another one? Or what if I’m just not good enough? I love writing — it gives me a sense of purpose that nothing else has ever matched — but could I really be content to do it for the rest of my life with nothing to show for it?
Frankly, I don’t know the answer to that. I’m only in my 20s. But at the end of the day, I think most of us — regardless of what we do — doubt ourselves from time to time. Or maybe all the time. It doesn’t mean you can’t do what you want to do. I’m full of angst, but I’m still a writer. Because a writer is someone who writes, not necessarily someone who has a great deal of self-belief or confidence in their ability.
Going back to John Green’s vlog, I liked how he said he’s become okay with not knowing whether he’ll publish another book or whether anyone will like it if he does. Perhaps I could learn to be genuinely okay with the possibility of failure too.
But not until I’ve done everything within my power to succeed.